…That’s exactly what Zindagi Naa Milegi Dobara (ZNMD) is. A ‘bromantic’ film extolling the free spirit of living – the need to break out of the complacent cobwebs cocooning our existence, seize the ‘now’, and just breathe!
All comparisons to The Hangover and Dil Chaahta Hai do injustice to the film– Yes, there are the three amigos, out on a road trip to celebrate a bachelor party – but then that’s it. The Hangover was over the top, slapstick humor and Dil Chaahta Hai was not only a lot funnier but frothier too, with a reasonably fast paced script.
ZNMD runs deeper, and slower - to be honest, there are parts where you end up questioning the editor’s competency – but the unhurried execution also brings with it a sort of placidity and tranquility that is quite impactful. It has its really hilarious light moments – but is not an all-out laugh riot - the story tries to make space for some mature introspection on the journey of life and the confusion of growing up – with its effervescence and its vicissitudes. ZNMD does touch your heart – no escaping that.
The movie is replete with symbolism ingenuously weaved in with the story line - The letting go, the breaking free, the loss of fear, the baggage of yesterday, the beauty of today, the uncertainty of tomorrow…
In fact, the movie’s key emotion is a line from one of its songs…
“chaahat ke do pal bhi mil paayein
duniya mein yeh bhi kam hai kya
do pal ko to aao kho jaayein
bhoolein hum hota ghum hai kya”
(If we get but only a few moments of love
In this world, isn’t that enough?
For these few moments, let’s lose our selves
And forget the sadness of life)
The cast couldn’t be more perfect. Hrithik Roshan is at his sexiest best – I mean there is more to him in the movie than just the drop-dead gorgeous brawn physique, but his screen presence is simply awesome. Farhan Akhtar as the brattier brat with a poetic underline is so super convincing and believable. Abhay Deol is charming and classy, and does make a distinct mark among the trio. I simply loved the way each character stood on his own…they were so real, likeable – just like you’d be with your close buddies.
The camaraderie they share grows on you as the movie progresses – it seems so natural – the restrained reunion to the intense emotional bonding.
The leading ladies, Katrina and Kalki, do not have too much of a role and they just fit in without overdoing their parts – thank god for that :D!
The music is good but not very exceptional. The songs go well with the movie and are quite pleasant to the ear. Love the Senorita number…Check it out here…
The cinematography of the movie is simply superb – the wondrous beauty of Spain caught so well on camera, with Farhan Akhtar’s (Jaaved Akhtar rules!) poetry or rather shaayari as a perfect companion to the vast and limitless expanse of the water beneath and the deep blue sky above...
“Pighlay neelam sa behta hua yeh samaan
Neeli neeli si khamoshiyaan
Na kahin hai zameen
Na kahin aasmaan
Sarsaraati huyi tehniyaan, pattiyaan
Keh rahi hain ki bas ek tum ho yahaan
Sirf main hoon meri saansein hain aur meri dhadkanein
Aisi gehraiyaan
Aisi tanhaiyaan
Aur main sirf main
Apne honay pe mujhko yaqeen aa gaya”
(This moment flows by like molten sapphire
Deep Blue silences
No Earth below
No Sky above
The rustling branches and leaves
Saying that only you are here
Only me, My breath, My heartbeat
Such depth like this
Such loneliness like this
And me only me
I now believe I exist)
Leaving you on that note, with a 7/10 for this one. Go watch it for the love of life :)!
(P.S. I really want someone to make a tasteful movie on women having a fun reunion and reliving their old friendships. Don’t you think we women are also nostalgic about our girly gossips and all the fun we had growing up with each other – what say?)
[Image Source: Google Images]
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